BlackbirdMixer

Audio fleet control

Every room’s audio. One screen.

When a show has twelve small rooms with twelve small mixers, one operator ends up running hallway laps. Blackbird Mixer puts the whole fleet on a single touch surface — an iPad works — so one person can see, adjust, and mute every room from wherever they’re standing.

Clickthrough: muting a whole room from the fleet overview, then riding a fader

video capture pending

How it works

One surface, twelve rooms

Pick a room, mix it

Tap any room and its faders fill the screen — mics, laptop sound, whatever that room carries. Touch, drag, nudge in fine steps, or snap back to the safe middle setting with one tap.

See the whole fleet at once

A mute overview lays out every room in columns — every input in every room is a one-tap mute button, even for rooms you’re not currently mixing. Kill a hot mic three rooms away in a second.

Master mute that remembers

Muting a whole room doesn’t erase your per-mic choices. Un-mute the room and the exact pattern you had — this mic on, that one off — comes right back.

Health at a glance

Each room shows its state in color: rehearsal mode, connecting, live, or offline. A big warning appears if a room’s master is muted — the mistake that otherwise eats ten minutes of a session.

Rehearse before the gear arrives

The full surface runs in rehearsal mode with no mixers attached. Train the crew, set names and levels, and walk the show before load-in day — then bring the same settings to the real fleet.

Named and color-coded

Every room and every input can be renamed and color-tagged to match your show — “Lab 3”, “Podium mic”, “Playback” — so nobody mixes the wrong room.

Who it's for

Built around the QSC TouchMix-8 workflow

Blackbird Mixer was built for shows that run fleets of QSC TouchMix-8 mixers — training labs, certification rooms, breakout stations — where each room is simple but there are a lot of them. The deeper controls are all there when you need them: per-input trim, mic/line switching, phantom power, tone shaping, and an output limiter, each a tap away and out of sight when you don’t.

It’s in early access: the rehearsal surface is complete and in use today, and the live link to physical mixers is in development. If you run this kind of fleet, we’d like to build it against your show.

The operator surface — three faders, one room

screenshot pending

Fleet mute overview — twelve rooms in columns

screenshot pending

Run your next lab day from one iPad

Tell us how many rooms you run and what's in them — we'll set up a walkthrough on the live surface.

Book a walkthrough